![]() ![]() ![]() Pickpocket, made in 1959 by Robert Bresson, was not considered a "New Wave" film because it did not deal with the problems of what Jean-Luc Godard termed "psychological realism." Pickpocket did not address the then burgeoning question of cinematic reality, whether this status must be assigned according to the perception of reality or in terms of its impression. 5., 15 March 1998.ĭurgnat, Raymond, in Film Comment (New York), vol. 465, October 1996.ĭick, Jeff T., in Library Journal, vol. 419, January 1996.įilm en Televisie + Video (Brussels), no. 400, June 1994.Īudé, Françoise, and Louis Malle, and Michel Ciment, " Louis Malle," in Positif (Paris), no. Schrader, Paul, " Pickpocket de Bresson," in Positif (Paris), no. Predal, R., in Avant-Scène du Cinéma (Paris), January-February 1992. Westerbeck, Colin, Jr., "Robert Bresson's Austere Vision," in Artforum (New York), November 1976.īensard, Patrick, "Notes sur Pickpocket," in Camera/Stylo (Paris), January 1985. Burel" (interview), in Cinéma (Paris), July-August 1974. M., "Matter and Spirit in the Films of Robert Bresson," in Film Heritage (Dayton, Ohio), Spring 1974. Prokosch, M., "Bresson's Stylistics Revisited," in Film Quarterly (Berkeley), vol. Skoller, Donald S., "Praxis as a Cinematic Principle in the Films of Robert Bresson," in Cinema Journal (Evanston, Illinois), Fall 1969.Īrmes, Roy, "The Art of Robert Bresson," in London Magazine, October 1970. Susan, "Spiritual Style in the Films of Robert Bresson," in Seventh Art (New York), Summer 1964. Green, Marjorie, "Robert Bresson," in Film Quarterly (Berkeley), Spring 1960. Guerrini, Loretta, Discorso per una lettura di L'argent di Bresson, Rome, 1992. Hanlon, Lindley, Fragments: Bresson's Film Style, Cranbury, New Jersey, 1986. Sloan, Jane, Robert Bresson: A Guide to References and Resources, Boston, 1983.īordwell, Narration in the Fiction Film, London, 1985.Īrnaud, Philippe, Robert Bresson, Paris, 1986. de, Robert Bresson o cinematografo e o sinal, Lisbon, 1978.Įstève, Michel, Robert Bresson: La passion du cinématographe, Paris, 1983. Schrader, Paul, Transcendental Style on Film: Ozu, Bresson, Dreyer, Los Angeles, 1972. ![]() 1, New York, 1970.Ĭameron, Ian, The Films of Robert Bresson, London, 1970. Publicationsĥ reviewers, The Films of Robert Bresson, New York, 1969.Īrmes, Roy, French Cinema Since 1946, vol. Burel editor: Raymond Lamy sound engineer: Antoine Archimbault production designer: Pierre Charbonnier music: Lully.Ĭast: Martin Lassalle ( Michel) Marika Green ( Jeanne) Pierre Leymarie ( Jacques) Jean Pelegri ( Instructor) Kassigi ( Initiator) Pierre Etaix ( 2nd accomplice) Mme. Producer: Agnès Delahaie screenplay: Robert Bresson photography: L. It does not store any personal data.Production: Lux Films: black and white, 35mm running time 75 minutes. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]()
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